Luca Petrucci Graphic DesignerAboutMailInstagram
GalleryIndex
[ED]Description:Images:Title:Specs:Audio reactive web animation, transients determines square size on X & Y axis,custom frequency range detection. Track ID’s: µ-Ziq – Brace Yourself Jason, Squarepusher – Theme From Ernest Borgnine
Video 017, animation 1
Video 016, animation 2
Video 015, animation 3  
Video 014, animation 4
2025, Web animation  

Prompt + Coding
Various
[ED]Description:Images:Title:Specs:Web-based visualization of SoundAtlas image archive. The interface allows the photographs, once bound to the printed page, to be explored and experienced as a navigable soundscape.
(Mouse/Trackpad: Drag to rotate • Scroll to zoom • Keyboard: Q/E = speed • R = reset)
Video 013, web navigation
Video 012, animation 1  
Video 011, animation 2
2025, Sound Altlas Web Visualizer 
With:
Alessandro Caputo, Nicolò Barbisan
Editorial + Coding
Various
[BD]Description:Images:Title:Specs:BAUER T.A.Z. is a real and situated space that invites attention to what we imagine before we even want to generate it. 
It is a device of prior knowledge, a shared exercise and practice that is activated in the exchange between bodies, ideas and imaginaries. A marketplace of ideas, a portable cinema, a cultural micro-rave, a situation and a demonstration. Everything that happens here is conceived and realized as an autarkic and autonomous solution. From June 17, in the Wisteria Cloister, Bauer and Società Umanitaria present an installation that brings together a selection of visual, graphic and photographic projects, films, videos and editorials, conceived between 2024 and 2025 by Bauer students and offered for the first time in a public context in a novel format. 
Image 074, A5 exhibition poster
Image 073, exhibition flags
Image 072, exhibition flags
Image 071, exhibition digital invitation
Image 070, instagram post white
Image 069, logo animation white
Image 068, ways of seeing 1
Image 067, ways of seeing close up
Image 066, ways of seeing close up
Image 065, instagram post black
Image 064, logo animation
2025, T.A.Z. Exhibition
With:
Benedetta Arcagni, Barbisan Nicolò, Maddalena Bergomi, Giulia Boccalero, Alessandro Caputo, Alessia Cerruti, Giulia Chiggiato, Sergio Cincotta, Arianna Della Bosca, Dindelli Francesca, Benedetta Donghi, Elena Festa, Teresa Magnoler, Noemi Mauri, Fabrizio Quarta, Riccardo Romeo, Francesca Tecce
Brand identity + Curatorial
Various
[ED]Description:Images:Title:Specs:WIP is an experimental archive collecting behind-the-scenes images from the exhibitions of Triennale Milano, spanning from 1933 to the present day. Drawing from the official historical archive, the project brings together a curated selection of photographs that reveal the often unseen process behind each exhibition: construction sites, empty halls, assembly phases, technical details, and the people who make it all possible. By shifting the focus away from the final exhibition, WIP highlights the people and the process that often remain out of view: the architects, technicians, craftsmen, and workers who turn ideas into real spaces.
Image 063, cover + spine
Image 062, frontispiece
Image 061, text introduction
Image 060, spread with images
Image 059, spread with images
Image 058, spread with images
Image 057, spread with images
Image 056, spread with images
Image 055, metadata text
2025, WIP
With:
Maddalena Bergomi, Riccardo Romeo Editorial
24 x 20 cm
Printed on uncoated paper
[TD]Description:Images:Title:Specs:Larmenius is a typeface inspired by the sharp, angular aesthetics of medieval weaponry — particularly the iconic geometry of Templar swords. Rooted in the structure of Times New Roman, it transforms the classic serif model into something far more aggressive and expressive. One of its defining features is the deliberate exaggeration of the serifs, which become sculptural elements that evoke both ornament and edge, amplifying the tension and drama within each letterform. This type specimen explores the visual language of the Middle Ages by juxtaposing traditional and contemporary medieval iconography. The exaggerated serifs serve not only as historical references but also as bold graphic statements, reinforcing the typeface’s symbolic weight. Larmenius balances historic resonance with modern attitude, showcasing its adaptability across a wide range of visual contexts while maintaining a strong, iconic identity.
Image 054, cover
Image 053, spread with fictional text
Image 052, horizontal spread with text
Image 051, horizontal spread with text
Image 050, spread with images
Image 049, spread with text + images
Image 048, spread with images
Image 047, horizontal spread with image
Video 010, animated poster V1
Video 009, animated poster V2
Video 008, aimated poster V3
2025, Larmenius Type Specimen
Type design + Motion
Various
Printed + Digital
[ED]Description:Images:Title:Specs: Brainrot is a term that ironically describes the cognitive decline caused by constant exposure to low-quality, repetitive content — especially on social media. It reflects a culture of visual overload, where we become passive consumers, losing the ability to discern meaning from noise. AUTOMA is not a solution or a moral guide, but a visual archive that mixes irony and critique. It explores a world where identity is simulated, art is commodified, and reality blurs into digital excess. This work invites the viewer to pause, reflect, and question what remains human in an increasingly automated, image-driven world.
Image 046, cover + back
Image 045, introduction text
Image 044, preface text
Image 043, spread with bold text
Image 042, spread with images
Image 041, spread with images
Image 040, spread with images
Image 039, spread with images
Image 038, spread with images
2025, Automa
Editorial
14.8  x 21 cm
Printed on uncoated/ lucid paper
[PO]Description:Images:Title:Specs: Accidental is a multidisciplinary art collective active in the creation of traveling events that experiments with new forms of expression and interaction between space, sound and audience. In Accidental Bloom the theme of bloom was explored in a collectively organized event through symposia, workshops, staging, live and djset.
Video 007, animated visual
Image 037, poster mockup
2025, Accidental BloomPoster + Motion
42,0 cm x 59,4 cm
Digital print
Printed on coated paper
[ED]Description:Images:Title:Specs: A project born in a photographic laboratory as an exploration of the relationship between image and sound. In the darkroom, an eidophone translates sound vibrations into visual patterns that the photographs render as material traces. The book accompanies this experimental documentation with a series of texts which offers an overview of the relationship between images, acoustic frequencies and the soundscape of the contemporary world.
Video 006, spreads animation sequence
Image 036, cover + back 
Image 035, frontispiece
Image 034, index
Image 033, spread with text
Image 032, spread with text 
Image 031, spread with tool explanations
Image 030, spread with images + text
2025, Sound Atlas
With:
Alessandro Caputo, Nicolò Barbisan Editorial
20 x 17 cm
Printed on sixties IBO paper
[ED]Description:Images:Title:Specs: This project explores the potential of visual transformation through the abstraction of shapes extracted from photographic material. The primary focus lies in observing how elements—when overlapped, distorted, and recontextualized—can evolve into entirely new visual languages.
The process culminates in multiple outcomes, including animations whose individual frames are further processed and repurposed as standalone visuals. Two primary applications emerge from the main animation: the first emphasizes rapid rhythm and vibrant color play, while the second is integrated into a CGI-rendered video environment. From both approaches, a diverse range of visuals can be derived—pieces that can be further refined, deconstructed, and reassembled to generate new iterations of the original material.
Image 029, front cover
Image 028, back
Image 027, spread with images
Image 026, spread with images
Image 025, spread with text
Video 005, animation V1, CGI background 
Video 004, animation V2
Video 003, animation V3
2024, FanzineEditorial + Motion
21 x 29,7 cm
1920 x 1080 px
Digital
Printed on uncoated paper
[PO]Description:Images:Title:Specs: Poster designed for an initiative by Collettivo_Sc4 and exhibited at SUPSI, Mendrisio. The concept draws inspiration from the myth of the Tacita Dea, an ancient Roman goddess who symbolizes mute expression. This theme is expressed through both content and form.
The central image features the letter "H," chosen for its silent role in the Latin alphabet and its reference to "Acca," one of the epithets associated with the goddess. Initially hand-painted, the form was then deliberately deconstructed, emphasizing the tension between structure and disappearance — silence and expression.
Image 024, poster mockup
Image 023, digital poster
2023, Mute Expression PosterPoster
81,4 x118,9 cm
Digital print
Printed on uncoated paper
[3D]Description:Images:Title:Specs: This 3D rendering depicts a surreal metallic structure emerging from water, mimicking organic growth. Set in an icy, remote environment reminiscent of the polar regions, the structure is composed of intricate, interwoven steel elements. Soft, internal illumination adds an ethereal, almost otherworldly atmosphere. The scene is punctuated by aerial laser beams, introducing a narrative tension that blurs the line between natural and artificial, organic and mechanical.
Video 002, 3D animation 
Image 022, still frame
Image 021, still frame
Image 020, still frame
2023, Untitled 3D SculptureRendering
2000 x 2000 px
Digital
[3D]Description:Images:Title:Specs: One of my earliest experiments in 3D modeling, this project seeks to evoke the ambience of a distant utopia. Angular yet organic forms define a landscape shrouded in mystery and allure. The render invites the viewer to imagine what might exist beyond the visible, aiming to stimulate curiosity through minimal narration and evocative spatial composition.
Video 001, 3D animation
Image 019, still frame
Image 018, still frame
Image 017, still frame
2023, Untitled 3D Sculpture
Rendering
1920 x 1080 px
Digital
[PO]Description:Images:Title:Specs: Developed as part of a school assignment, this poster was designed for a speculative exhibition dedicated to Alexander Calder. After extensive visual experimentation, I focused on 'La Grande Vitesse', one of Calder's most iconic sculptures, located in Grand Rapids, Michigan. Restricting the palette to black and white, I extracted and integrated the sculpture’s silhouette into the layout, using it as a structural element in the background. The design pays tribute to Calder’s dynamic compositions while maintaining visual clarity and modern restraint.
Image 016, poster photography 
Image 015, poster photography 
Image 014, poster photography 
Image 013, poster photography
2022, Calder Poster
Poster
50 x 70 cm
Digital print
Printed on coated paper 
[ED]Description:Images:Title:Specs: This project involved designing and prototyping a handmade cover for a hypothetical book about Ludwig Mies van der Rohe. The brief asked for a visual interpretation of his iconic philosophy, "Less is More." I opted for a minimalist layout, guided by spatial balance and material simplicity. The final result was not only conceptual but also tactile — a physical prototype that could serve as a presentational tool for future editorial development.
Image 012, cover still-life
Image 011, cover still-life
Image 010, cover detail
Image 009, back cover still-life
Image 008, spline detail
Image 007, inside print detail
Image 006, inside detail
2022, MIES Book CoverEditorial
20 x 25 cm
Handmade
Printed on Fedrigoni silver paper
[PO]Description:Images:Title:Specs: Conceived for the PRINT4ALL fair, this poster explores the theme of "the future" through a conceptual and visual lens. Starting from the scientific definition of the term, I developed a custom typography to obscure the text, rendering it illegible. This act of concealment serves as a metaphor: the future, despite our efforts to define it, remains inherently unknowable and beyond human control. To further support this concept, I included three keywords that —personally — capture the essence of what the future represents.
Image 005, poster photography
Image 004, poster photography
Image 003, poster photography
Image 002, poster photography
Image 001, poster mockup
2022, Future PosterPoster
29,7 x 42 cm
Digital offset print
Printed on Fedrigoni paper 
Go upArchive©2025