[BD]

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BAUER T.A.Z. is a real and situated space that invites attention to what we imagine before we even want to generate it.
It is a device of prior knowledge, a shared exercise and practice that is activated in the exchange between bodies, ideas and imaginaries. A marketplace of ideas, a portable cinema, a cultural micro-rave, a situation and a demonstration. Everything that happens here is conceived and realized as an autarkic and autonomous solution. From June 17, in the Wisteria Cloister, Bauer and Società Umanitaria present an installation that brings together a selection of visual, graphic and photographic projects, films, videos and editorials, conceived between 2024 and 2025 by Bauer students and offered for the first time in a public context in a novel format.

Image 001, A5 exhibition poster

Image 002, exhibition flags

Image 003, exhibition flags

Image 004, exhibition digital invitation

Image 005, instagram post white

Image 006, logo animation white

Image 007, ways of seeing 1

Image 008, ways of seeing close up

Image 009, ways of seeing close up

Image 010, instagram post black

Image 011, logo animation

2025, T.A.Z. Exhibition
With:
Benedetta Arcagni, Barbisan Nicolò, Maddalena Bergomi, Giulia Boccalero, Alessandro Caputo, Alessia Cerruti, Giulia Chiggiato, Sergio Cincotta, Arianna Della Bosca, Dindelli Francesca, Benedetta Donghi, Elena Festa, Teresa Magnoler, Noemi Mauri, Fabrizio Quarta, Riccardo Romeo, Francesca Tecce

Brand identity + Curatorial
Various

[ED]

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WIP is an experimental archive collecting behind-the-scenes images from the exhibitions of Triennale Milano, spanning from 1933 to the present day. Drawing from the official historical archive, the project brings together a curated selection of photographs that reveal the often unseen process behind each exhibition: construction sites, empty halls, assembly phases, technical details, and the people who make it all possible. By shifting the focus away from the final exhibition, WIP highlights the people and the process that often remain out of view: the architects, technicians, craftsmen, and workers who turn ideas into real spaces.

Image 012, cover + spine

Image 013, frontispiece

Image 014, text introduction

Image 015, spread with images

Image 016, spread with images

Image 017, spread with images

Image 018, spread with images

Image 019, spread with images

Image 020, metadata text

2025, WIP
With:
Maddalena Bergomi, Riccardo Romeo

Editorial
24 x 20 cm

Printed on uncoated paper

[TD]

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Larmenius is a typeface inspired by the sharp, angular aesthetics of medieval weaponry — particularly the iconic geometry of Templar swords. Rooted in the structure of Times New Roman, it transforms the classic serif model into something far more aggressive and expressive. One of its defining features is the deliberate exaggeration of the serifs, which become sculptural elements that evoke both ornament and edge, amplifying the tension and drama within each letterform. This type specimen explores the visual language of the Middle Ages by juxtaposing traditional and contemporary medieval iconography. The exaggerated serifs serve not only as historical references but also as bold graphic statements, reinforcing the typeface’s symbolic weight. Larmenius balances historic resonance with modern attitude, showcasing its adaptability across a wide range of visual contexts while maintaining a strong, iconic identity.

Image 021, cover

Image 022, spread with fictional text

Image 023, horizontal spread with text

Image 024, horizontal spread with text

Image 025, spread with images

Image 026, spread with text + images

Image 027, spread with images

Image 028, horizontal spread with image

Video 001, animated poster V1

Video 002, animated poster V2

Video 003, aimated poster V3

2025, Larmenius Type Specimen

Type design + Motion
Various

Printed + Digital

[ED]

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Brainrot is a term that ironically describes the cognitive decline caused by constant exposure to low-quality, repetitive content — especially on social media. It reflects a culture of visual overload, where we become passive consumers, losing the ability to discern meaning from noise. AUTOMA is not a solution or a moral guide, but a visual archive that mixes irony and critique. It explores a world where identity is simulated, art is commodified, and reality blurs into digital excess. This work invites the viewer to pause, reflect, and question what remains human in an increasingly automated, image-driven world.

Image 029, cover + back

Image 030, introduction text

Image 031, preface text

Image 032, spread with bold text

Image 033, spread with images

Image 034, spread with images

Image 035, spread with images

Image 036, spread with images

Image 037, spread with images

2025, Automa

Editorial
14.8 x 21 cm

Printed on uncoated/ lucid paper

[PO]

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Accidental is a multidisciplinary art collective active in the creation of traveling events that experiments with new forms of expression and interaction between space, sound and audience. In Accidental Bloom the theme of bloom was explored in a collectively organized event through symposia, workshops, staging, live and djset.

Video 004, animated visual

Image 038, poster mockup

2025, Accidental Bloom

Poster + Motion
42,0 cm x 59,4 cm
Digital print
Printed on coated paper

[ED]

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A project born in a photographic laboratory as an exploration of the relationship between image and sound. In the darkroom, an eidophone translates sound vibrations into visual patterns that the photographs render as material traces. The book accompanies this experimental documentation with a series of texts which offers an overview of the relationship between images, acoustic frequencies and the soundscape of the contemporary world.

Video 005, spreads animation sequence

Image 039, cover + back

Image 040, frontispiece

Image 041, index

Image 042, spread with text

Image 043, spread with text

Image 047, spread with tool explanations

Image 048, spread with images + text

2025, Sound Atlas
With:
Alessandro Caputo, Nicolò Barbisan

Editorial
20 x 17 cm

Printed on sixties IBO paper

[ED]

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This project explores the potential of visual transformation through the abstraction of shapes extracted from photographic material. The primary focus lies in observing how elements—when overlapped, distorted, and recontextualized—can evolve into entirely new visual languages.
The process culminates in multiple outcomes, including animations whose individual frames are further processed and repurposed as standalone visuals. Two primary applications emerge from the main animation: the first emphasizes rapid rhythm and vibrant color play, while the second is integrated into a CGI-rendered video environment. From both approaches, a diverse range of visuals can be derived—pieces that can be further refined, deconstructed, and reassembled to generate new iterations of the original material.

Image 049, front cover

Image 050, back

Image 051, spread with images

Image 052, spread with images

Image 053, spread with text

Video 006, animation V1, CGI background

Video 007, animation V2

Video 008, animation V3

2024, Fanzine

Editorial + Motion
21 x 29,7 cm
1920 x 1080 px
Digital
Printed on uncoated paper

[PO]

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Poster designed for an initiative by Collettivo_Sc4 and exhibited at SUPSI, Mendrisio. The concept draws inspiration from the myth of the Tacita Dea, an ancient Roman goddess who symbolizes mute expression. This theme is expressed through both content and form.
The central image features the letter "H," chosen for its silent role in the Latin alphabet and its reference to "Acca," one of the epithets associated with the goddess. Initially hand-painted, the form was then deliberately deconstructed, emphasizing the tension between structure and disappearance — silence and expression.

Image 054, poster mockup

Image 055, digital poster

2023, Mute Expression Poster

Poster
81,4 x118,9 cm
Digital print
Printed on uncoated paper

[3D]

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This 3D rendering depicts a surreal metallic structure emerging from water, mimicking organic growth. Set in an icy, remote environment reminiscent of the polar regions, the structure is composed of intricate, interwoven steel elements. Soft, internal illumination adds an ethereal, almost otherworldly atmosphere. The scene is punctuated by aerial laser beams, introducing a narrative tension that blurs the line between natural and artificial, organic and mechanical.

Video 009, 3D animation

Image 056, still frame

Image 057, still frame

Image 058, still frame

2023, Untitled 3D Sculpture

Rendering
2000 x 2000 px
Digital

[3D]

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One of my earliest experiments in 3D modeling, this project seeks to evoke the ambience of a distant utopia. Angular yet organic forms define a landscape shrouded in mystery and allure. The render invites the viewer to imagine what might exist beyond the visible, aiming to stimulate curiosity through minimal narration and evocative spatial composition.

Video 010, 3D animation

Image 059, still frame

Image 060, still frame

Image 061, still frame

2023, Untitled 3D Sculpture

Rendering
1920 x 1080 px
Digital

[PO]

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Developed as part of a school assignment, this poster was designed for a speculative exhibition dedicated to Alexander Calder. After extensive visual experimentation, I focused on 'La Grande Vitesse', one of Calder's most iconic sculptures, located in Grand Rapids, Michigan. Restricting the palette to black and white, I extracted and integrated the sculpture’s silhouette into the layout, using it as a structural element in the background. The design pays tribute to Calder’s dynamic compositions while maintaining visual clarity and modern restraint.

Image 062, poster photography

Image 063, poster photography

Image 064, poster photography

Image 065, poster photography

2022, Calder Poster

Poster
50 x 70 cm
Digital print
Printed on coated paper

[ED]

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This project involved designing and prototyping a handmade cover for a hypothetical book about Ludwig Mies van der Rohe. The brief asked for a visual interpretation of his iconic philosophy, "Less is More." I opted for a minimalist layout, guided by spatial balance and material simplicity. The final result was not only conceptual but also tactile — a physical prototype that could serve as a presentational tool for future editorial development.

Image 066, cover still-life

Image 067, cover still-life

Image 068, cover detail

Image 069, back cover still-life

Image 070, spline detail

Image 071, inside print detail

Image 072, inside detail

2022, MIES Book Cover

Editorial
20 x 25 cm
Handmade
Printed on Fedrigoni silver paper

[PO]

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Conceived for the PRINT4ALL fair, this poster explores the theme of "the future" through a conceptual and visual lens. Starting from the scientific definition of the term, I developed a custom typography to obscure the text, rendering it illegible. This act of concealment serves as a metaphor: the future, despite our efforts to define it, remains inherently unknowable and beyond human control. To further support this concept, I included three keywords that —personally — capture the essence of what the future represents.

Image 073, poster photography

Image 074, poster photography

Image 075, poster photography

Image 076, poster photography

Image 077, poster mockup

2022, Future Poster

Poster
29,7 x 42 cm
Digital offset print
Printed on Fedrigoni paper